Archive for category Vendor

This One Goes to Eleven

Adam is 11 years old today. He’s everything a Dad could wish for, and I’m very lucky to have him in my life.

He’ll celebrate with his friends next weekend, but this year’s portraits are already on their way to family all over the country. Like last year, we went out to a local park for a natural-light posing session with the 5D and the RB67. The digital result is above, and the film below.

Though I was pleased with the results from last year’s experiment with WHCC (I’ve used them since), based on a number of recommendations, I decided to try the services offered by Mpix. Apart from the good reviews from friends, I really liked one of the Mamiya frames and wanted to include it as the second shot in the family package so I was interested in their True B&W Paper process.

The Mpix order flow was easy, and all of the options were clear. I chose the Endura Metallic option on the color prints, the True B&W  for the other, and the die-cut corners for wallets. Post-order communication was good, and production and shipping were speedy. The prints arrived on-time and nicely-packaged. The colors pop on the metallics, and the depth and gloss are nice. The matte black-and-white processing lived up to the promise, so I’ll probably put more work through it in the near future. The price was comparable to WHCC and other services I’d shopped – a little higher on some items, lower on others. Overall, a great experience and I can join the satisfied customer chorus.

Ordinarily, the order would have included a larger print to frame and place on our family gallery wall. As I was considering print vendors. coincidence dropped an e-mail in my in-box from CafePress and their recently-acquired Canvas On Demand service, offering half-off a gallery-wrap canvas print. I took the chance and ordered an 11×14. The result was not bad for the price I paid, but the assembly quality was not up to the standard of some gallery wraps I’ve seen. If I want another, I’ll probably look elsewhere.

 

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New on the Shelves

One of the things on my “to do” list has been getting a book together and published through Blurb. I’m not expecting to make any sort of waves with it, but I wanted to see what was possible. I’d done a few little things through Shutterfly, and while the quality was OK, the result wasn’t impressive.

Through attendance at a Blurb event a few months back, I had a coupon code good for at least a decent-sized volume. Before you can attempt to sell anything there, you have to order at least one copy for yourself (a “proof”, ostensibly). Because I was born to procrastinate, and because the coupon was set to expire on May 31, I spent a chunk of Memorial Day organizing photos in Blurb’s BookSmart software. Since I didn’t leave myself enough time to get serious about it, I used their pre-set page templates. While they’re pretty nice, the end-product ended up looking more “stock” than I like. If I do this again, I’ll put the work in to make it my own.

The Blurb software is easy to use, so the process went smoothly. It took a while because of my perfectionism, but I got a book uploaded under the deadline. I’ll continue to pick it apart and second-guess, and I’ll probably work up a second edition, but for now, here it is – 44 pages of black-and-white Los Angeles.

Browse and enjoy.

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Same View, Different Window

Adam at 10 (on film)

Adam at 10 (on film)

Got my first roll of color 120 — Kodak Portra 160NC — through the Mamiya and processed. Since I’m not at the point where I’m developing my own color film (and I don’t know that I want to, due to the complexity), I took it in to A&I near my office in Hollywood. This is the first time I’ve used a “pro” photo lab, so I wasn’t sure what to expect. I got friendly service, on-time delivery, nice packaging and presentation, and slightly cheaper than nearby alternatives (but still quite a lot more costly than 35mm at Costco). Color negative film is a wonderful thing, but black and white will continue to dominate my analog output.

I’m always apprehensive trying a new thing or taking a next step with this stuff, but it turned out nicely. My metering with a second camera was close enough, and I’m getting more familiar with the gear. I’ll eventually acquire a dedicated meter, but for now I’m OK and won’t be so intimidated by the arrangement.

This is another shot from the session mentioned in a previous post. Compare and contrast, film and digital — I think this one has a slightly warmer tone. I might get a big print made.

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Print It Like You Mean It

Adam at 10

Almost every year of Adam’s life, we’ve had traditional portraits taken at the typical mall department-store studio for distribution to the family around his birthday. We’ve been pleased enough with the somewhat generic results, but the whole thing is costly and has produced nothing special.  Considering circumstances, I should be doing that job now, right? I made a first attempt last year, but I was not happy with the product at all. Pose, light, color – none of it made me feel like it was a worthy annual event.

This year, even though my personal expectations were low (confidence issues), I thought I came up with a much better set of photographs. We found a nice outdoor setting across from the local park, the light was pleasing, I took my time and Adam was relaxed. I have the say the 70-200mm f/2.8 did its part, too. That’s the “smiling” version above, and there’s a secondary “serious” pose to go with it.

Sure that I had a couple of good captures, I thought about getting them out on paper. One of the bigger frustrations last time around was the printing. I have a great wide-format Epson photo printer that usually surprises me with its output, but the images were so “off” that I couldn’t make a decent print no matter what I tried. This year’s photos didn’t have those issues, but I was still worried about producing a professional-looking package.

Thinking I might want to know the options for professional printing, I started investigating options a few months ago. As busy as things have been, I’d only gotten as far as reading reviews. I’d heard White House Custom Colour (WHCC) mentioned on the Photofocus podcast (they’re a sponsor of the show), and the blurb says they offer a no-strings-attached five 8×10 prints for free to listeners of the show. As it turns out, that deal is open to anyone wanting to check them out, regardless how you hear about it. They don’t even ask for a credit card up front, so I went ahead and put through a mix of color and B&W. I have to say, I was impressed – working for free, they hustled and turned around the order in two days. The quality was good, and the prints arrived with a set of paper and texture samples.

After that experience, it made sense to take the next step and work with them on the portrait package. I used their ROES software to do the image upload and configure things, and my order was ready in minutes. I went with the basic lustre paper and a variety of sizes to fit the needs of relatives. Free two-day shipping was the default, and overnight and custom packaging options were available. After a little set-up and the entry of my payment info, my order was on it way.

Since I ordered before mid-afternoon on Sunday, the order arrived via UPS from their facility in Fresno on Tuesday afternoon. The results were great. I didn’t do anything special with color management, but the color and brightness were true and consistent. The order was nicely packaged, with each size in its own sleeve. The wallet-sized prints come 8-up to a sheet, and were individually die-cut with rounded corners.

All in all, a very pleasing transaction. The family loved the photos, and I was proud to give them. I’ll definitely use WHCC again, and recommend them as well.

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