Archive for category Processing

Same View, Different Window

Adam at 10 (on film)

Adam at 10 (on film)

Got my first roll of color 120 — Kodak Portra 160NC — through the Mamiya and processed. Since I’m not at the point where I’m developing my own color film (and I don’t know that I want to, due to the complexity), I took it in to A&I near my office in Hollywood. This is the first time I’ve used a “pro” photo lab, so I wasn’t sure what to expect. I got friendly service, on-time delivery, nice packaging and presentation, and slightly cheaper than nearby alternatives (but still quite a lot more costly than 35mm at Costco). Color negative film is a wonderful thing, but black and white will continue to dominate my analog output.

I’m always apprehensive trying a new thing or taking a next step with this stuff, but it turned out nicely. My metering with a second camera was close enough, and I’m getting more familiar with the gear. I’ll eventually acquire a dedicated meter, but for now I’m OK and won’t be so intimidated by the arrangement.

This is another shot from the session mentioned in a previous post. Compare and contrast, film and digital — I think this one has a slightly warmer tone. I might get a big print made.

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Print It Like You Mean It

Adam at 10

Almost every year of Adam’s life, we’ve had traditional portraits taken at the typical mall department-store studio for distribution to the family around his birthday. We’ve been pleased enough with the somewhat generic results, but the whole thing is costly and has produced nothing special.  Considering circumstances, I should be doing that job now, right? I made a first attempt last year, but I was not happy with the product at all. Pose, light, color – none of it made me feel like it was a worthy annual event.

This year, even though my personal expectations were low (confidence issues), I thought I came up with a much better set of photographs. We found a nice outdoor setting across from the local park, the light was pleasing, I took my time and Adam was relaxed. I have the say the 70-200mm f/2.8 did its part, too. That’s the “smiling” version above, and there’s a secondary “serious” pose to go with it.

Sure that I had a couple of good captures, I thought about getting them out on paper. One of the bigger frustrations last time around was the printing. I have a great wide-format Epson photo printer that usually surprises me with its output, but the images were so “off” that I couldn’t make a decent print no matter what I tried. This year’s photos didn’t have those issues, but I was still worried about producing a professional-looking package.

Thinking I might want to know the options for professional printing, I started investigating options a few months ago. As busy as things have been, I’d only gotten as far as reading reviews. I’d heard White House Custom Colour (WHCC) mentioned on the Photofocus podcast (they’re a sponsor of the show), and the blurb says they offer a no-strings-attached five 8×10 prints for free to listeners of the show. As it turns out, that deal is open to anyone wanting to check them out, regardless how you hear about it. They don’t even ask for a credit card up front, so I went ahead and put through a mix of color and B&W. I have to say, I was impressed – working for free, they hustled and turned around the order in two days. The quality was good, and the prints arrived with a set of paper and texture samples.

After that experience, it made sense to take the next step and work with them on the portrait package. I used their ROES software to do the image upload and configure things, and my order was ready in minutes. I went with the basic lustre paper and a variety of sizes to fit the needs of relatives. Free two-day shipping was the default, and overnight and custom packaging options were available. After a little set-up and the entry of my payment info, my order was on it way.

Since I ordered before mid-afternoon on Sunday, the order arrived via UPS from their facility in Fresno on Tuesday afternoon. The results were great. I didn’t do anything special with color management, but the color and brightness were true and consistent. The order was nicely packaged, with each size in its own sleeve. The wallet-sized prints come 8-up to a sheet, and were individually die-cut with rounded corners.

All in all, a very pleasing transaction. The family loved the photos, and I was proud to give them. I’ll definitely use WHCC again, and recommend them as well.

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Family Things (and Newton Rings)

Húsvéti nincs színe

Húsvéti nincs színe

Had a nice, relaxing Easter with the family. Saw in-laws and my sisters, ate a really good meal, colored eggs (well, I didn’t – I never do) and finished a roll of 220.

For once, I came up with a nearly-flawless strip of negatives. Since I started using the Mamiya, every roll has suffered some sort of ruinous problem – scratches or streaks that rendered many frames unusable, and required a lot of healing brush work on the rest. Research and friendly interviews pointed to either bad news happening in the film magazine or drying issues after development.

This time, I made certain that I used a different insert, and I decided to forgo squeegeeing prior to drying, just in case that had some effect. To give the strip a good long hang-space, I suspended it whole from a boom mic stand positioned in the bathtub (very rock & roll, I know).

The combination worked, so I’m sticking with it. Of course, things are never that easy. When it came to scanning, most frames were afflicted with Newton Rings and had to be redone.

I’ll get the hang of it eventually.

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Next Gen Classic

Adam captures a classic automobile in San Dimas

Adam captures a classic automobile in San Dimas

Photographer: Adam
Film: Fomapan 400
Camera: Olympus Stylus Epic point-and-shoot
Developed by: Adam

(Adam is 9 years old)

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Ably Assisted

Adam adds developer to the tank.

Adam adds developer to the tank.

Adam helped with the developing. Best kid ever.

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Ceremony

Moving with the Tradition

On September 19, I got the chance to cover the 13th annual Soboba Inter-tribal Pow Wow for the Valley Chronicle. It was the first work I done for the paper since June, and I was ready to take something on. The event presented a chance to capture some great color with the DSLRs and to try some new film things out with the AE-1. I even deployed the bbf for a little while near the end of my time there.

The pow wow was held in the arena at the Soboba Casino, on Indian land near San Jacinto. The ceremonies were stunning, filled with color and sound. I got to see the purifying Gourd Dance, a “tiny-tots” pow wow featuring the youngsters in full costume, and the dance, drum and song competitions. The highlight of the day was the Grand Entry, a procession of hundreds of people, from little children to tribal elders, all in the finest and most ornate ceremonial dress.

I started the day by asking the event’s chairman for permission to shoot, seeking any rules I might need to know about covering things respectfully. I mingled and did my best to be unobtrusive, and used the 30D with the long lens more than anything else. After getting photos to accompany specific story points for the paper, I let myself go and shot whatever I found appealing.

The selects I sent off to the Chronicle are here. The editor chose seven photos, and I hope to see two or three of those published tomorrow.

Along with the work for the paper, I wanted to try some new things with film. Since I’m developing black and white film, I decided to try push processing. With that in mind, I picked up some more Arista Premium 400 with the aim of shooting at 1600. Unfortunately, I underestimated the amount of light in the arena. I had counted on a solid roof, but the cover was a translucent American flag-styled canopy with substantial gaps between the panels that striped the faux-turf floor with sunlight, making it look like a football field. With my lack of experience at the processing technique, it wasn’t the right situation for success.

Grand Entry 1, originally uploaded by NoIdentity.

Despite those problems, I did manage to pull a handful of images out of the tank – fewer than 25% of the 48 exposures – that showed surprising contrast and a nice level of grain. Those that worked are among some of the best-looking photos I have ever taken. You can see a slide show of Soboba images from Flickr here.

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